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一 | 讯 8月19日，中共山西省委宣传部、山西省人民政府新闻办公室举办开局起步“十五五”系列主题新闻发布会（晋中市专场）。 The debate around cinematic narratives and representation has taken a personal turn as Diljit Dosanjh recently shared a hard-hitting post on his Instagram stories. He shared a report highlighting the stark contrast between the reception of mainstream patriotic films and the ongoing struggle of his long-delayed biopic, Punjab 95. The post shared by Diljit draws a direct comparison between how certain roles are celebrated versus others that face hurdles. It points out that while Diljit receives widespread acclaim for his participation in high-profile patriotic projects like Border 2, his work on the biopic of human rights defender Jaswant Singh Khalra remains in a state of limbo. The shared content notes that Punjab 95 has been stuck with the CBFC (Central Board of Film Certification) for three years. This delay stands in contrast to the rapid success of other contemporary releases, such as Dhurandhar: The Revenge, which the post mentions is being celebrated even as Punjab 95 continues its battle with the censor board. Punjab 95, directed by Honey Trehan, delves into the life of Jaswant Singh Khalra and his investigations into sensitive historical events in Punjab. The film has reportedly faced demands for extensive cuts and changes, preventing its domestic release for almost 36 months. The post suggests a perceived disparity in how the film industry and regulatory bodies treat different types of stories. While films that align with established nationalistic themes often find a smooth path to the audience, biographical stories that explore complex human rights issues or historical grievances seem to face a much more rigorous and prolonged screening process. By sharing this specific critique, Diljit Dosanjh aligned himself with the conversation regarding creative freedom and the importance of telling diverse stories. For now, the contrast between the celebrated mainstream cinema and the stalled biopic of Jaswant Singh Khalra continues to spark a debate about the future of storytelling in Indian cinema. Also Read: Border 2 OTT Release: When & Where to Watch Sunny Deol’s Film?。 会上，晋中市委常委、常务副市长张鹏介绍，晋中是文旅大市。近年来，持续推进文旅深度融合，“怡然晋中·甜美城市”出彩出圈，文旅业增加值占地区生产总值比重达到6%，成为促进群众就业、扩大服务消费、拉动经济增长的重要引擎。“十五五”期间，将坚持旅游为民，以游客为中心，持续放大“怡然晋中·甜美城市”品牌效应，持续深耕中国传统文化、太行山水艺术、休闲度假美食“三大主题之旅”，加快把文旅业打造成全市战略性支柱产业、民生产业、幸福产业。 一是做深提质文章，打造高品质旅居目的地。以“怡然见晋中”统揽全市文旅资源，深入实施旅游景区强基焕新行动，支持平遥古城、乔家大院等头部景区迭代升级。以63家A级景区矩阵为主体，丰富高品质旅游供给，配套一批“怡然宿集”精品民宿、“怡然味道”特色餐饮、“怡然晋品”非遗文创，构建全域全季全龄产品矩阵，让“怡然”可感知、可消费、可传播。 二是做活场景文章，打造高人气消费集聚地。加快中心城区向旅游休闲城市转型，整合盘活城市空间，持续丰富新业态。将景区、街区、商圈、文博场馆串珠成链，深耕夜间经济，打造和提升一批光影演艺、城市书房、深夜食堂、非遗工坊、户外露营地、田园艺术季、青春音乐节等新空间新场景，顺应城市群微度假趋势，推动商旅双向引流，让夜晚“亮”起来、人气“聚”起来、消费“活”起来。 三是做精融合文章，打造高标准产业示范地。坚持文旅牵引、百业赋能、全域融合，做强“文旅+康养”，做活“文旅+文创”，做热“文旅+美食”，做亮“文旅+体育”，做新“文旅+科技”，推动文旅与一二三次产业跨界联动，延伸产业链、创造新价值，让旅游“流量”变为经济“增量”。 四是做优服务文章，打造高便捷游客体验地。以优质服务换口碑，以良好体验留游客，以厚道晋中赢长久。完善全域文旅服务保障体系，紧盯游客急难愁盼，刚性落实游客投诉5分钟响应、一小时快处的工作机制，全方位净化优化旅游环境，让游客暖心在晋中、满意在晋中。版权申明：凡注有“”或电头为“”的稿件，均为独家版权所有，未经许可不得转载或镜像；授权转载必须注明来源为“”，并保留“”的电头。 。
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